{"id":18249,"date":"2020-01-10T17:25:49","date_gmt":"2020-01-10T16:25:49","guid":{"rendered":"https:\/\/troekes.com\/?page_id=18249"},"modified":"2025-11-30T12:06:14","modified_gmt":"2025-11-30T11:06:14","slug":"worksonpaper","status":"publish","type":"page","link":"https:\/\/troekes.com\/en\/oeuvre\/worksonpaper\/","title":{"rendered":"Works on paper"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ medium_visibility=”yes” mobile_visibility=”yes” css=”.vc_custom_1539938922021{padding-top: 10px !important;padding-bottom: 10px !important;}”][vc_column column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_wp_custommenu nav_menu=”334″ nav_menu_horizontal=”1″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”4″ top_padding=”3″ bottom_padding=”3″ overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column column_width_percent=”100″ gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/4″][vc_column_text]Writing about (\u2026) Heinz Tr\u00f6kes as a graphic artist<\/strong> and draughtsman is a very special kind of challenge. The sheer number of works alone, the simultaneous creation of stylistically entirely different sheets, the diversity of the artistic media hardly allows for a summary, and thus for generalisation. This although his drawing work is of particularly immense importance in his oeuvre. The influential art critic, Will Grohmann, already offered the following evaluation in 1949: \u201cTr\u00f6kes, it must be expressly stated, is a master of the pen and of black-and-white. His drawings, which already fill volumes, are characterised by an astonishing sophistication of both the interpretive and graphic aspects. (\u2026)\u201d<\/p>\n

Dorothea Sch\u00f6ne, Heinz Tr\u00f6kes \u2013 Das grafische Werk, Berlin 2018 (Text abbreviated)<\/p><\/blockquote>\n

Please register to see more graphics.<\/p>\n

REGISTER<\/a>\u00a0| LOGIN<\/a>[\/vc_column_text][\/vc_column][vc_column width=”3\/4″][uncode_index el_id=”index-109915″ isotope_mode=”fitRows” loop=”size:All|order_by:date|post_type:werkvz|by_id:5222,1017,1119,1201,1271,1423,5691,1915,5511,2765,6132,3640,5503,3877,4460,4576″ screen_lg=”1000″ screen_md=”450″ screen_sm=”480″ gutter_size=”3″ werkvz_items=”media|featured|lightbox|original,icon,title” single_width=”3″ single_back_color=”color-xsdn” single_overlay_opacity=”50″ single_image_anim=”no” single_padding=”0″ single_text_reduced=”yes” single_title_family=”font-193490″ single_title_dimension=”fontsize-190605″ single_title_weight=”500″ single_shadow=”yes” shadow_weight=”sm” single_css_animation=”bottom-t-top” single_animation_speed=”300″ custom_order=”yes” lbox_skin=”white” lbox_title=”yes” lbox_caption=”yes” single_icon=”fa fa-magnifier” order_ids=”5222,1017,1119,1201,1271,1423,5691,1915,5511,2765,6132,3640,5503,3877,4460,4576″][vc_row_inner row_inner_height_percent=”0″ overlay_alpha=”50″ gutter_size=”3″ shift_y=”0″ z_index=”0″][vc_column_inner column_width_percent=”100″ position_vertical=”middle” align_horizontal=”align_center” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ css=”.vc_custom_1553612669498{padding: 10px !important;}”][vc_column_text uncode_shortcode_id=”762532″]If you register, you will be able to see 7,290 artworks with detailed information. REGISTER<\/a>\u00a0| LOGIN<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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