{"id":17868,"date":"2018-06-08T12:00:16","date_gmt":"2018-06-08T10:00:16","guid":{"rendered":"https:\/\/troekes.com\/heinz-troekes-en\/biographie\/"},"modified":"2020-02-05T09:13:12","modified_gmt":"2020-02-05T08:13:12","slug":"biography","status":"publish","type":"page","link":"https:\/\/troekes.com\/en\/heinz-troekes\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"

[vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”2″ top_padding=”1″ bottom_padding=”1″ back_color=”color-xsdn” overlay_alpha=”50″ gutter_size=”3″ column_width_percent=”100″ shift_y=”0″ z_index=”0″ medium_visibility=”yes” mobile_visibility=”yes” css=”.vc_custom_1539938355957{padding-top: 10px !important;padding-bottom: 10px !important;}”][vc_column column_width_percent=”100″ align_horizontal=”align_right” gutter_size=”3″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″][vc_wp_custommenu nav_menu=”336″ nav_menu_horizontal=”1″][\/vc_column][\/vc_row][vc_row unlock_row_content=”yes” row_height_percent=”0″ override_padding=”yes” h_padding=”4″ top_padding=”3″ bottom_padding=”3″ overlay_alpha=”50″ gutter_size=”4″ column_width_percent=”100″ shift_y=”0″ z_index=”0″][vc_column width=”1\/3″][vc_column_text]I believe in the creative<\/strong> in the world and in people, that art will endure and that it is worth living in our century, despite everything. Don\u2019t become timid, don\u2019t let yourself be upset by big talk, doubt, smile, let yourself be surprised, even by yourself, experience our world with keen senses.<\/em><\/p>\n

The terrestrial zoo is large and has room for many species; the higher of them are our good fortune and our comfort. I would like to call them poets, who see our world in a new way, in colours, words, shades and equations, as we have not yet known it, who reveal unparalleled wealth.<\/em><\/p>\n

I believe in the greats of our time, in the creative, artistic contributors to the building of a new world, of which I can confidently presume that it will be of no lesser a nature than the one mourned by so many. I also believe in the fervent provocateurs of our turgid hearts, in the holy fools who tell our fortunes, in the dalliers who stroll about or lie in the sun, in the dreamers, in the fatuous, in the spiritual rebels (not in the ideologues), in those as free as possible and in those yet to come, who we do not yet know, but who are already quietly asking other questions. I should name names. That would be a long list and would amount to a very good total \u2013 for the last fifty years.<\/em><\/p>\n

So: Mies van der Rohe, Picasso, Klee, Gropius, Mondrian, Einstein, Charlie Chaplin, James Joyce. Arnold Sch\u00f6neberg, Mir\u00f3, Wols, Louis Armstrong, Bert Brecht, Saint John Perse, Paul Celan, Saul Steinberg, Luther Burbank, Apollinaire, Bonnard, Max Ernst, Brancusi, Giacometti, Gonzales, Le Corbusier, Frank Lloyd Wright, Aim\u00e9 C\u00e9saire, Kafka, Dior, Charles Lindberg, Grock, Tristan Tzara, Albert Schweizer, Henri Rousseau, Wilhelm Uhde, Hemingway, James Ensor, Kandinsky, Elisabeth Bergner, Alvar Alto,\u00a0H\u00e9lena Rubinstein, Stravinsky, Henry Miller, Henry Ford, Braque, Felix Krull, Kontiki, Haile Selassie, \u201cElla\u201d, Garbo, Chagall.<\/em><\/p>\n

I know, I know. The list is contestable and is also not complete. I could continue it any way I wish. No, not any way. Politicians, ecclesiastical princes and generals are absent, for example. Because I don\u2019t believe in them. It is difficult to believe in something at a time in which many old terms no longer possess any validity, which we no longer comprehend with naked reason, the sense and secret order of which we can hardly still experience, in face of all the threat and terror, in face of the towering, filthy clouds. I am also familiar with this great lost doubt, these black days and nights, this anxious gaze of the rabbit in the face of the functioning chaos, the twitching greed, a friendly message, which hopes to turn everything to the good with one blow. I am familiar with this numbness that hangs over us like a mute bell. And nonetheless, only we ourselves can make it sound; not with the avid thrashing about of the bell ringer, but instead with quiet overtones. But here we must learn to listen, irrespective of whether we are transmitters or receivers. To do so, we must enter into silence and be capable of remaining alone. Each of us can only believe for ourselves. External creeds are not prescriptions, and we shouldn\u2019t fool ourselves. I believe in the exception that confirms the rule and in the errors in the system. I don\u2019t believe in any direction, and not in any art movement. However, I do know that the art of our time must look different than that of 1890. This new art, so often wished dead, has already been alive for a half a century now. Not even the rococo lasted that long. And how diverse, how rich, how nuanced and full of imagination (see the list of names, the incomplete list). I believe in the creative power in art, but not only in the number one dress uniform, but instead also in those who form the humus, who impregnate the air with art bacilli and ensure a generally spiritual climate.<\/em><\/p>\n

Our atmosphere, with its implicit faith in progress and obedience to technology, must be enriched more with these other bacilli originating from the districts of art, dreams, imagination, the creative, from the realm of the muse and leisure. Give art more of an opportunity to heal our times, to create beauty, to organise celebrations for our inner gaze. I believe that helps, that delights and makes us more human than we are now.<\/em><\/p>\n

Heinz Tr\u00f6kes, \u201cDaran glaube ich\u201d [What I believe in], Hamburg 1957[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_tabs el_class=”no-align”][vc_tab title=”1913 \u2013 1939″ tab_id=”1528454712-1-77″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11142″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]1913<\/strong>\u00a0\u2013 Born 15 August in Hamborn\/Rhine (today part of Duisburg).<\/p>\n

1930<\/strong> \u2013 Trip to the Netherlands and Luxembourg.<\/p>\n

1932-1933<\/strong> \u2013 Attendance of the arts school in Krefeld.<\/p>\n

1932<\/strong> \u2013 Cycling tour through Switzerland, Italy, France and Luxembourg.<\/p>\n

1933<\/strong> \u2013 Abitur (German qualification for university entrance)<\/p>\n

1933-36<\/strong> \u2013 Pupil of Johannes Itten in Krefeld.<\/p>\n

1934\u00a0<\/strong>\u2013 Three-month bicycle tour through Italy. Visit to art locations in Florence, Rome, Naples, Palermo and Venice.<\/p>\n

1936-39<\/strong> \u2013 Painter in Augsburg. Secured an existence with textile designs for J.P. Bemberg.<\/p>\n

1937<\/strong> \u2013 Encounter with Wassily Kandinsky in Paris.<\/p>\n

1938<\/strong> \u2013 First solo exhibition in the Berlin Galerie Nierendorf, which was closed at the instigation of the Nazis. Followed by expulsion from the Reich Chamber of Culture with exhibition and work proscription until 1945. Travels to Vienna, Budapest, Yugoslavia and Italy.<\/p>\n

1939<\/strong> \u2013 Resettlement to Zurich in order to emigrate from there to the Dutch Indies (Indonesia), which was made impossible by the outbreak of the Second World War. Return to Germany.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”1940 \u2013 1949″ tab_id=”1528454712-2-63″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11139″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][vc_single_image media=”11140″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]1940<\/strong> \u2013 Programme of study with Georg Muche (Master class) in Krefeld.<\/p>\n

1940<\/strong> \u2013 As common soldier with anti-aircraft in Berlin. Attendance at the art school of Max Dungert in Berlin during his free time. Deserted in August 1944 and lived illegally in Berlin.<\/p>\n

1945-1946 <\/strong>\u2013 Co-founder of the Berlin Galerie Gerd Rosen, the first private art gallery in Germany following the war. Artistic director there until 1946. Several art history essays, including \u2018Moderne Kunst in Deutschland\u2019 [Modern art in Germany], \u2018Der Surrealismus\u2019 [Surrealism] (in: Das Kunstwerk, 1st volume, 1946\/47, no. 8\/9) and \u2018Moderne Kunst und Zeitbewusstsein\u2019 [Modern art and consciousness of time] (in: Bildende Kunst, 2nd volume, 1948, no. 3).<\/p>\n

1946-1948 <\/strong>\u2013 Cosmonautical images like \u2018Die Mondkanone\u2019 [The moon cannon], \u2018Terrain der Kosmologen\u2019 [Terrain of the cosmologists], \u2018Sph\u00e4rische Kontraste\u2019 [Spherical contrasts] and \u2018Zwei Welten\u2019 [Two worlds].<\/p>\n

1947 <\/strong>\u2013 February, reconstitution of the Deutscher K\u00fcnstlerbund [Association of German Artists]; board: Karl Hofer, Karl Schmidt-Rottluff, Ernst Fritsch, Heinz Fuchs, Heinz Tr\u00f6kes, Gustav Seitz, Ren\u00e9e Sintenis, Richard Scheibe, Hans Uhlmann.<\/p>\n

1947<\/strong> \u2013 Called to the Staatliche Hochschule f\u00fcr Baukunst und bildende K\u00fcnste [College of architecture and fine arts] in Weimar (together with Mac Zimmermann). Conclusion of teaching activity after one semester. Participation in the exhibition \u2018L`Art Allemand Moderne \u2013 Deutsche Kunst der Gegenwart\u2019 in Baden-Baden.<\/p>\n

1948<\/strong> \u2013 Member of the Neue Gruppe [New group] in Munich and the Zone 5 group in Berlin.<\/p>\n

1948-1949<\/strong> \u2013 Stay in Rodenbach near Neuwied on the Rhine during the Berlin blockade, then return to Berlin.<\/p>\n

1949<\/strong> \u2013 Marriage with Renata Severin. Founding member of the Berlin Neue Gruppe. Article in the magazine \u2018Les Temps Modernes\u2019, Paris (Dir. Jean Paul Sartre) on \u2018La peinture et le public en Allemagne. L\u2019 Inflation d\u2019expositions et le scandale qu\u2019 elles provoquent\u2019. Solo exhibition in the Kaiser-Wilhelm-Museum, Krefeld. Participation in the \u2018Kunst in Deutschland 1930-1949\u2019 [Art in Germany, 1930-1949] exhibition in Zurich.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”1950 \u2013 1959″ tab_id=”1528458974701-2-5″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11141″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][vc_single_image media=”11660″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]1950-51<\/strong> \u2013 Prizewinner of the Blevin-Davis competition, Munich. Residence in Paris. Friendship with Wols and Paul Celan. Links with the Rixes group with Matta, Serpan, Riopelle, Za\u00f1artu, etc. Participation in the weekly Jour Fixe around Andr\u00e9 Breton (Per\u00e9t, Duchamp, Toyen, Ernst, Tamayo, H\u00e9rold).<\/p>\n

1952<\/strong> \u2013 Emigration to Ibiza, Spain at the beginning of the year, resulting in many island pictures, often with a topographical character. Prizewinner of the Hallmark competition, New York. Solo exhibition in the Galerie Jeanne Boucher, Paris.<\/p>\n

1953<\/strong> \u2013 Solo exhibitions in the Museum von der Heydt, Wuppertal, and in the St\u00e4dtisches Museum [Municipal Museum], Braunschweig. Participation in the S\u00e3o Paulo Art Biennial.<\/p>\n

1954<\/strong> \u2013 Birth of his son Jan Manuel. Travels from Ibiza to Zurich, Berlin, Paris and Barcelona. Exhibition participation: \u2018duitse kunst na 1945\u2019, Amsterdam, Stedelijk Museum.<\/p>\n

1955<\/strong> \u2013 Deutscher Kritikerpreis for fine arts.<\/p>\n

Participation in the 1st documenta in Kassel. Teaching offers of the art colleges and academies in Berlin, Karlsruhe, Zurich, Stuttgart and Frankfurt, which he declined to accept.<\/p>\n

Travels from Ibiza to Madrid, Alicante and Toledo. Solo exhibitions in the St\u00e4dtisches Kunstmuseum [Municipal art museum], Duisburg and in the Galerie Buchholz, Madrid.<\/p>\n

1956<\/strong> \u2013 Berliner Kunstpreis (Berlin art prize].<\/p>\n

Travels from Ibiza to Andalusia and Morocco. Solo exhibitions in the Haus am Waldsee, Berlin and in the Kunstverein [Art association] Hamburg.<\/p>\n

1956-1958<\/strong> \u2013 Head of the Department of Free Graphics of the Staatliche Hochschule f\u00fcr bildende Kunst (now HFBK) in Hamburg.<\/p>\n

1957<\/strong> \u2013 Mosaic at the Triennale Milano.<\/p>\n

1958<\/strong> \u2013 Three-month trip to Ceylon (now Sri Lanka] and visits to Cairo, Djibouti, Aden and Bombay. Watercolours for the volume \u2018Singhalesische Miniaturen\u2019 [Singhalese miniatures] arose from a visit to a rubber plantation. Participation in the Venice Biennale. Glass window for the Interbau in the Hansaviertel, Berlin. Return to Ibiza.<\/p>\n

1959-1960<\/strong> \u2013 A year on the island Aegina in Greece. Following the strongly pronounced colourfulness of the Paris and Ibiza years, quiet pictures in reduced and atmospheric colours arose in the differentiated light of Greece, continuing until 1966. Often in Athens, travels to Crete, Rhodes, the Peleponnese and to Istanbul.<\/p>\n

1959<\/strong> \u2013 Participation in the 2nd documenta, Kassel.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”1960 \u2013 1969″ tab_id=”1528459105183-3-3″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11143″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][vc_single_image media=”12157″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]1960-1961<\/strong> \u2013 Through Berlin, Wameln (etchings \u2018Wamelner Folge\u2019 [Wameln series]), Paris, Barcelona and back to Ibiza. Three rug designs, executed by the company Anker-Teppiche, D\u00fcren.<\/p>\n

1961<\/strong> \u2013 Member of the Akademie der K\u00fcnste [Academy of Arts], Berlin.<\/p>\n

1962-1965<\/strong> \u2013 Alternating between Ibiza and Stuttgart. Teaching position at the Stuttgart State Academy of Art and Design.<\/p>\n

1964<\/strong> \u2013 Extended travel through Latin America: Cura\u00e7ao, Caracas, Peru, Bolivia, Ecuador, Colombia, Panama, Guatemala, Mexico and New York. The illustrated book \u201cEldorado\u201d originates from these travels. Karl Str\u00f6her Prize of the 1st Internationale der Zeichnung [International of drawing], Darmstadt. Solo exhibition in the Museo de Bellas Artes, Caracas.<\/p>\n

Participation in the 3rd documenta, Kassel.<\/p>\n

1965<\/strong> \u2013 Called to the Hochschule f\u00fcr bildende K\u00fcnste, Berlin (today Berlin University of the Arts (UDK)). Professor\/head of the class for free painting. Since then, residing in Berlin and on Ibiza.<\/p>\n

Church window in Leonberg near Stuttgart. Travel through northern and southern Spain to Madrid and Morocco. Solo exhibitions in the Kunstvereinen (art associations] of Pforzheim, Mannheim and Oldenburg.<\/p>\n

1966<\/strong> \u2013 Experiments with Georg Muche on a helioclichograph in Kassel, with the aim of generating electrically controlled prints. Travel to Portugal. Quiet pictures succeeded by intensely colourful images with folkloric elements.<\/p>\n

Solo exhibition in the Museu de Arte Moderna (MAM), Rio de Janeiro.<\/p>\n

1967<\/strong> \u2013 Travels to Argentina, Brazil and Senegal. Solo exhibition in the Wilhelm-Lehmbruck-Museum, Duisburg.<\/p>\n

1968<\/strong> \u2013 LSD painting experiments with Dr Hartmann, Munich. Honorary member of the Accademia Internazionale \u2018Tommaso Campanella di Lettere-Arti-Scienze\u2019, Rome. Solo exhibition in the Landesmuseum (State museum) Oldenburg.<\/p>\n

1968-1970<\/strong> \u2013 64-colour illuminations for the eight-volume collected edition \u2018Cr\u00e9billon\u2019.<\/p>\n

1969<\/strong> \u2013 Travels to Cuba and Denmark. Solo exhibition in the Kunstverein Mannheim.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”1970 \u2013 1979″ tab_id=”1528459169696-4-7″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11144″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]1970<\/strong> \u2013 Travels to Ethiopia, Ankara and Anatolia.<\/p>\n

1971<\/strong> \u2013 Multicoloured and often large format pictures succeeded by two-colour, smaller formats. Second Ethiopia trip and second South America trip: Bolivia, Peru, Panama, Honduras, Guatemala, Mexico.<\/p>\n

1972<\/strong> \u2013 Seminar for free painting at the International Summer Academy in Salzburg. Travels to Tunisia, Algeria, Central Sahara.<\/p>\n

1973<\/strong> \u2013 Black-and-white collages and China ink drawings, several sketchbooks. Solo exhibition in the Landesmuseum Oldenburg.<\/p>\n

1974<\/strong> \u2013 Four-month travels in Asia: Sri Lanka, Burma, Thailand, Malaysia, Indonesia, Nepal, India, Pakistan, Afghanistan, Iran.<\/p>\n

1975<\/strong> \u2013 Travels to Switzerland, France, Portugal and Spain.<\/p>\n

1976<\/strong> \u2013 Four-month world tour: Israel, Thailand, Bali, Australia, South Pacific, Chile, Argentina.<\/p>\n

1977<\/strong> \u2013 Lectures in the Tel Aviv Museum and in the Israel Museum in Jerusalem on \u2018Art in Germany under Hitler and afterwards\u2019. Travel to South Yemen and to the clay skyscrapers in the Wadi Hadramaut.<\/p>\n

1978<\/strong> \u2013 Four Gobelin tapestries are woven in the Fr\u00e4nkische Gobelin-Manufaktur following motifs of the portfolio \u2018Karneval in \u2026\u2019 [Carnival in …]. Colouring of a 17-storey residential block in Berlin-Sch\u00f6neberg. Concluding of teaching activity at the Hochschule der K\u00fcnste Berlin. Egypt trip.<\/p>\n

1979<\/strong> \u2013 Travels to Cyprus and Crete. Solo exhibitions in the Akademie der K\u00fcnste, Berlin and in the Wilhelm-Lehmbruck-Museum, Duisburg.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][vc_tab title=”1980 \u2013 1997″ tab_id=”1528459270203-5-1″][vc_row_inner][vc_column_inner width=”1\/4″][vc_single_image media=”11662″ media_width_percent=”100″ advanced=”yes” media_items=”media|original,caption” media_text=”under” media_overlay_opacity=”1″ media_text_anim=”no” media_image_anim=”no” media_v_position=”top” media_padding=”1″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]1983<\/strong> \u2013 Solo exhibition in the Nationalgalerie, Berlin.<\/p>\n

1993<\/strong> \u2013 Heinz Tr\u00f6kes was awarded the Mercatorplakette (Mercator emblem] for special services to the City of Duisburg on 15 August by Mayor Josef Krings.<\/p>\n

1997<\/strong> Ren\u00e9e passed away on 1 April, and Heinz Tr\u00f6kes on 22 April in Berlin, where both lived constantly since 1965.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_tab][\/vc_tabs][vc_empty_space empty_h=”4″][vc_row_inner][vc_column_inner width=”2\/3″][\/vc_column_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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